Architecture Of Mongolia
Pre-Imperial Period
Stupa in the Kidan city Bars-Hot
The dwellings of the Xiongnu, who ruled what is today Mongolia from the 3rd century BCE through the 1st century CE, were portable round-shaped tents on carts as well as round-shaped yurts. The Xiongnu aristocracy lived in small palaces, and their villages were protected by huge walls. S. I. Rudenko also mentions about capital construction built of logs. Archaeological excavations witness that the Xiongnu had towns. Their main city was called Luut Hot (City of Dragon).
Powerful statehoods were built by Turkic and Uigur tribes, who from the 6th through the 9th centuries, dominated what is now Mongolia. Several Turkic cities and towns existed in the basin of the rivers Orhon, Tuul and Selenge. The main city of the Turkic Kaganate was Balyklyk. The Uigur Kaganate that succeeded the Turks centered on the city Kara Balgasun founded in the beginning of the 8th century. A fragment of the 12 metre high fortress wall with a watch tower has been preserved. There was a large trades and craftswork district in the city. Their architecture was influenced by the Sogdian and Chinese traditions. The Uigur Kaganate was routed by their warlike neighbours Kirghiz, who destroyed the advanced culture of the Uigurs. The cultural development of the country was thrown back to the primitive stage.
Archaeological excavations discovered traces of cities of the Kidan period in Mongolia which lasted from the 10th to the 12th centuries. The most significant of the excavated cities was Hatun Hot founded in 944. Another significant Kidan city was Bars-Hot in the basin of the river Kerulen. It occupied an area of 1600x1810 metres and was surrounded with mud walls, which are today 4 metres thick and 1.5-2 metres high. A remnant of a stupa is found near the walls. There used to be a pair of them, but in the 1940s the Soviet garrison used cannon fire to destroy one for amusement.
Yurts
Main article: Yurt
Ger-tereg on the move
The yurt is the traditional dwelling of the Mongolian nomads. It has a circular shape, is supported by a collapsible wooden frame, and covered by wool felt. In Mongolia, a "yurt" is called a "ger" (Mongolian: ).
In the 12th and 13th centuries, ger-tereg (yurts on carts) were built for the khans and chieftains. Iron bushes of enormous dimensions for the shafts of a cart were found during excavations of Karakorum . The distance between the wheels of such a cart would be over 6 metres and it would be pulled by 22 oxen. Such ger-teregs are mentioned in the Secret History of the Mongols.
A common arrangement of a yurt camp in the medieval Mongolia was huree (kuren) (meaning "circle"), in which the yurt of the khan or chieftain was located in the centre and the yurts of the other members of the tribe were placed around it. This arrangement had a defensive function in the conditions of frequent skirmishes. Huree was replaced by ail (meaning "neighbourhood") arrangement in the 13th and 14th centuries during the unified Mongol Khanate when internal wars had stopped. Huree arrangement came back after the disintegration of the Mongol Khanate in the 15th century. It became the basis for the arrangement of the monasteries that were initially founded as mobile monasteries (the other type of monasteries being "khiid" following the Tibetan arrangement) in the 16th and 17th centuries when Buddhism was firmly re-introduced. As huree-monasteries and huree-camps of nobles settled and grew up into towns and cities, the names of such settlements retained the word Huree as a necessary component (e.g. Niislel Huree, Zasagtu Khaan-u Huree).
Inside a yurt
Two yurts in the Mongolian steppe
Originally, the roof had a steeper slope and the a rim around the center opening, to allow the smoke of the open fire to exit more easily. The introduction of enclosed stoves with chimneys (zuuh) in the 18th and 19th centuries, made it possible to simplify the design and use a lower silhouette. Another relatively recent development is the use of an additional layer of canvas for rain protection. A white cotton cover, originally only used on the yurts of nobles, has become commonplace.
The internal organisation and furnishing mirrors the traditional roles of the family members as well as spiritual concepts, giving special significance to each of the cardinal directions, with the door always facing south. Herders use the position of the sun in the crown of the yurt as a sundial. The northeastern quarter of the yurt is reserved for the woman. The man was traditionally prohibited entering this quarter and touching the woman when she is in this quarter in case of a family conflict, while she was allowed to throw hard objects such as scissors at the husband from this position. Yurts have been used in Central Asia for thousands of years. In Mongolia, they have also influenced other architectural forms, particularly temples.
In the 21st century, between 30 and 40% of the population are still living in yurts, many of them in the suburbs of cities. The Mongolian word "ger" has additional connotations of "home". The stylistically elevated register for ger is rg, most commonly translated as "residence", and at times also the name of the mobile national capital.
Tents
Tents also played a role in the formation and development of the unique Mongolian architecture. Although they are temporary shelters, they were used more frequently in the conditions of pastoralism. Tents were also used during Naadam festivals, feasts and other sorts of gatherings.
Jodgor is a small tent to accommodate one or two persons.
Maihan is a large tent for a group of people.
Tsatsar is a fabric shade on vertical supports without vertical walls.
Tsachir is a large rectangular tent with vertical fabric walls.
Asar is a generic name for tsatsar and tsachir.
Giovanni da Pian del Carpine ("History of the Mongols") reported, during the ceremony of enthronement of Guyuk Khaan in 1246, a colossal marquee-tsachir, capable of hosting 2000 people, was erected at the river Tamir. The marquee was supported by pillars decorated in gold leaves, and the internal side of the walls were covered with canopy.
Later, the designs of many temples were based on tsachir.
This section requires expansion.
Imperial Period
Silver Tree fountain in front of Tumen Amugulang Palace. 18th-century European imagination
Tortoise at Karakorum
The remains of Karakorum, capital of the Mongol Empire, were first rediscovered and studied by the expedition of S. V Kiselev. Karakorum was founded in the basin of the river Orkhon by Chinggis Khaan in 1220 as a major military centre. However, in 15 years it became an administrative and cultural centre of the empire.
In the centre of the city was situated the palace of the Great Khaan--the Tumen Amugulang palace. Based on the records of William of Rubruck, most scholars maintain that in front of the palace was the Silver Tree fountain. However, there is a group of researchers who conclude that the famous fountain was inside the palace. According to Rubruck, there were 4 silver sculptures of lions at the foot of the Silver Tree, and fermented mare's milk--airag, favourite drink of the Mongols, would run from their mouths. Four golden serpents twined round the tree. Wine would run out from the mouth of one serpent, airag--from the mouth of the second serpent, mead from the third, and rice beer from the fourth. The top of the tree was crowned by an angel blowing a bugle. The branches, leaves and fruits of the tree were all made of silver. The fountain was designed by a captive sculptor William of Paris. The Khaan himself would sit on the throne in the north of the yard in front of the palace. Men would sit in a row at the right hand of the Khaan and women would sit to the left.
Excavations partly proved and partly supplemented these descriptions. The buildings were heated by smoke pipes installed under the floors. The Khaan's palace was erected on an artificial platform occupying an area of 2475 sq. metres.
Ogedei Khaan ordered that each of his brothers, sons and other princes build a magnificent palace in Karakorum. The city hosted Buddhist temples, Christian churches and Muslim mosques. There were sculptures of tortoises at each gate on the four sides of the city wall. Steles on the backs of the tortoises were crowned with beacons for travellers in the steppe. The overall construction in Karakorun was supervised by Otchigin, the youngest brother of Genghis Khan.
There were many other cities and palaces throughout Mongolia in the 13th and 14th centuries. Best studied are the ruins of Palace Aurug near Kerulen and Hirhira and Kondui cities in the Trans-Baikal region. The latter two demonstrate that cities grew out not only around the Khaan's palaces but also around residences of the other members of nobility. City Hirhira sprang out around the residence of Juchi-Khasar. The Mongolian aristocrats were dissatisfied with temporary residences and started building luxurious palaces. The palace in Hirhira city was located within a citadel. The palace in Kondui city was built on a platform, surrounded by double-tiered terraces, pavilions and water pools. The archeological excavations revealed traces of conflagrations and the times of the fall of these cities are approximately the same as of Karakorum--late 14th century when the Chinese army repeatedly raided the country and looted the cities though the aggressor was expelled each time. Karakorum was destroyed in 1380 and could never restore its previous magnificence. The long destructive wars waged by China continued from 1372 to 1422 ruining the cultural progress of Mongolia achieved during the imperial period. Mongolia fell back into dark Middle Ages till the second half of the 16th century, when her culture experienced Renaissance.
Renaissance
Ihe Zuu Temple at Erdene Zuu monastery
Erdene Zuu walls
Stupa at Erdene Zuu monastery
After the two centuries of cultural decline, Mongolia experienced Renaissance beginning in the second half of the 16th century. This was a period of relative peace free of foreign aggressions and introduction of Buddhism in the form of Gelugpa (3rd introduction of Buddhism). Altan Khan of Tumet founded city Hohhot in 1575 as a political and cultural centre of his holdings. Among the first Buddhist monasteries of Mongolia of this period was temple Thegchen Chonchor Ling in Khkh Nuur built by Altan Khan to memorise his 1577 meeting with Dalai Lama Sonam Gyatso. . Many temples were built in Hohhot during the period including Dazhao and Xilituzhao Temples.
In Khalkha, Abatai Khan founded the Erdene Zuu monastery in 1585 near the site of the ancient city Karakorum . Although these first temples featured the Chinese architectural styles, the further development enriched the architecture of Mongolia with Tibetan, Indian and unique Mongolian styles.
The Mongolian style began with mobile temples. As they settled, they evolved into multi-angular and quadratic structures. As the roof was directly supported by the pillars and walls, it served also as the ceiling.
G. Zanabazar, the first Bogdo Gegeen of Khalha, designed the architecture of many temples and monasteries in the traditional Mongolian style and supervised their construction. He succeeded merging the Oriental architecture with the designs of the Mongolian yurts and marquees. Especially the style of the Batu-Tsagaan Tsogchin temple of Urga designed by G. Zanabazar became a proto-type for the further development of the Mongolian style in architecture. It is a large marquee-shaped structure in which the four central columns support the main area of the roof. There are 12 columns in the middle row and the columns in the outer row are slightly higher. The total number of the columns is 108. This temple was designed to be expanded as necessary. Thus it was originally 42x42 metres and was later expanded to dimensions of 51x51 metres.
The Indian style was most prominent in the design of stupas. Among the most famous stupas are Ikh Tamir, Altan Suburgan of Erdene Zuu, Jiran Khashir of Gandang and the mausoleums of Abatai Khan and Tsheetu Khan Gombodorji.
Monasteries Khgn Tarni (1600), Zaya-iin Khree (1616), Baruun Khree (1647) and Zaya-iin Khiid (1654) were built during this period.
Post-Renaissance
Temple at Amarbayasgalant monastery
Avalokiteshvara Temple
Quadratic temple in the style of G. Zanabazar
Building of magnificent temples in the traditions of the Renaissance period continued in the 18th, 19th and early 20th centuries. Ishbaljir (1709-1788) described the proportions of construction of buildings together with the proportions of human body in "Exquisite Flower Beads". Agvaanhaidav (1779-1838) described the process of building a Maitreya temple in "Maitreya Chapters Treasurous Mirror". Agvaanceren (1785-1849) wrote a book "The rules of building and repairing temples" teaching how to construct buildings and a book "Aahar shaahar" about maintenance and repairs of buildings. Also translations of Kangyur were widely used by the Mongolian architects.
Monasteries Zn Huree (1711), Amarbayasgalant monastery (1727), Manjusri Hiid (1733) and others were built during this period. The mobile monastery Ihe Huree founded for Zanabazar settled at the present location of city Ulaanbaatar in 1779. The wall around Erdene Yuu monastery began to be built in 1734. It contains 108 stupas. The Temple of Boddhisattva Avalokiteshvara was built in 1911-1913 as symbol of the new independent Bogdo Khanate of Mongolia. The colossal statue of the Boddhisattva Avalokiteshvara Migjed Janraisig, that who opens the eyes of wisdom of sentient beings, symbolised enlightenment of the Mongolian people who had opened a new page in their history and stepped into the modern civilisation. In the beginning of the 20th century, there were around 800 monasteries throughout the country.
Winter Palace of Bogdo-Khaan built in the traditional Russian style. It had a gold ganjir on the top.
An interesting tendency in the beginning of the 20th century was an experiment of combining the traditional Asian architecture with the features of the Russian architectural style. Bogdo Khan had his winter palace built as a Russian "horomy". A legend holds that the Manchurian Khan was suspicious of the interest of Bogdo Gegeen VIII in the European culture. To calm down his suspicion, Bogdo Gegeen had a ganjir added to the top of the building. Another example of the combination of the Asian and Russian styles of architecture is the residence of Khanddorji Wang, a leader of the independence movement of 1911. The body of the building is designed as a Russian house while the top was designed in the 'baroque' Asian style. One of the first European buildings in Mongolia is the 2-storey building of Zanabazar Museum of Fine Arts. It was originally built as a trade centre in 1905.
Revolutionary architecture
Constructivism. Military Club. Today the building is occupied by the University of Cinema Art
Despite the obvious progress, the Revolution also brought destruction of the traditional culture with demolition of over 800 monasteries and purge of thousands of lamas--carriers of the traditional intellectual culture including masters of traditional architecture. The development of the national culture of the Mongolians had to re-start from zero.
Constructivism and Rationalism in architecture that flourished in the USSR also shot their roots in Mongolia, though in their most modest forms. The building of the Radio and Postal Communications Committee was the brightest example of constructivism with a pyramid-topped tower stressing its role in the town-building. This construction, unique in Mongolia, however was later disassembled. The other works constructed under the principles of constructivism and rationalism were the office of the Mongoltrans company, Ministry of Internal Affairs, and the Military Club built in the space, forms and composition order.
Classicism and "mass-production"
Classicism and Mongolian tradition. Drama Theatre. Architect B. Chimed.
Classicism. Ministry of Foreign Affairs
The ensemble of Ulaanbaatar's downtown was designed by Soviet architects, developing the traditions of Classicism under the conditions of Socialism (Stalinist architecture). The buildings of the Ministry of Foreign Affairs, the State University, the House of the Government, the Opera House, the State Library and many other public buildings that were constructed during this period demonstrate the magnificence and elegance of European Classicism.
The Mongolian architects worked to creatively combine this neo-Classicism with the traditional features of Mongolian architecture. The development of Ulaanbaatar's downtown continued at the initiative of B. Chimed who is the architect of the Drama Theater, the Natural History Museum and the Ulaanbaatar Hotel. The overall design of the Drama Theatre implemented in neo-Classicism employs the quadratic plane and double-tier marquee roof of the Mongolian architecture. These works evidence his creative search for developing the indigenous traditions in the contemporary architecture. This direction was followed by other architects, e.g. in the Urt Tsagaan (Tourists Walk) and House of Health Education (today used by the Ministry of Health) by B. Dambiinyam and the Astronomical Observatory, State University Building #2, and Meteorology Building by A. Hishigt, which cannot be mistaken for European buildings.
Peace Bridge in Ulaanbaatar
The tower of the National Palace of Culture
From the 1960s the design of architecture was dictated by requirements of economy and mass-production under the influence of the N. Khruschev and Leonid Brezhnev eras in the USSR. At the same time the early 1960s were characterised by increased Soviet and Chinese investment due to their competition for greater influence in Mongolia. Such a competition resulted in an accelerated development of the country. Thus both the older districts south of the river Dundgol and the Peace bridge were built by Chinese workers.
The architecture of the 1960s and 1970's presents the monotony of 4-, 5-, and 9-storey apartment blocks with simple rectangular shapes dictated by the need of cheap and speedy construction. The looks of cities became increasingly boring and dull. The hostility between the USSR and PRC forced Mongolia to side with only one of the two and Mongolia allied with the USSR. This external political situation led to an immensely increased influx of Soviet investment. Apartment districts were intensively built in all directions around Ulaanbaatar, including the area to the south of the Dundgol river, often by Soviet soldiers. Completely new cities were founded in Darkhan, Erdenet.
Stupa in the Kidan city Bars-Hot
The dwellings of the Xiongnu, who ruled what is today Mongolia from the 3rd century BCE through the 1st century CE, were portable round-shaped tents on carts as well as round-shaped yurts. The Xiongnu aristocracy lived in small palaces, and their villages were protected by huge walls. S. I. Rudenko also mentions about capital construction built of logs. Archaeological excavations witness that the Xiongnu had towns. Their main city was called Luut Hot (City of Dragon).
Powerful statehoods were built by Turkic and Uigur tribes, who from the 6th through the 9th centuries, dominated what is now Mongolia. Several Turkic cities and towns existed in the basin of the rivers Orhon, Tuul and Selenge. The main city of the Turkic Kaganate was Balyklyk. The Uigur Kaganate that succeeded the Turks centered on the city Kara Balgasun founded in the beginning of the 8th century. A fragment of the 12 metre high fortress wall with a watch tower has been preserved. There was a large trades and craftswork district in the city. Their architecture was influenced by the Sogdian and Chinese traditions. The Uigur Kaganate was routed by their warlike neighbours Kirghiz, who destroyed the advanced culture of the Uigurs. The cultural development of the country was thrown back to the primitive stage.
Archaeological excavations discovered traces of cities of the Kidan period in Mongolia which lasted from the 10th to the 12th centuries. The most significant of the excavated cities was Hatun Hot founded in 944. Another significant Kidan city was Bars-Hot in the basin of the river Kerulen. It occupied an area of 1600x1810 metres and was surrounded with mud walls, which are today 4 metres thick and 1.5-2 metres high. A remnant of a stupa is found near the walls. There used to be a pair of them, but in the 1940s the Soviet garrison used cannon fire to destroy one for amusement.
Yurts
Main article: Yurt
Ger-tereg on the move
The yurt is the traditional dwelling of the Mongolian nomads. It has a circular shape, is supported by a collapsible wooden frame, and covered by wool felt. In Mongolia, a "yurt" is called a "ger" (Mongolian: ).
In the 12th and 13th centuries, ger-tereg (yurts on carts) were built for the khans and chieftains. Iron bushes of enormous dimensions for the shafts of a cart were found during excavations of Karakorum . The distance between the wheels of such a cart would be over 6 metres and it would be pulled by 22 oxen. Such ger-teregs are mentioned in the Secret History of the Mongols.
A common arrangement of a yurt camp in the medieval Mongolia was huree (kuren) (meaning "circle"), in which the yurt of the khan or chieftain was located in the centre and the yurts of the other members of the tribe were placed around it. This arrangement had a defensive function in the conditions of frequent skirmishes. Huree was replaced by ail (meaning "neighbourhood") arrangement in the 13th and 14th centuries during the unified Mongol Khanate when internal wars had stopped. Huree arrangement came back after the disintegration of the Mongol Khanate in the 15th century. It became the basis for the arrangement of the monasteries that were initially founded as mobile monasteries (the other type of monasteries being "khiid" following the Tibetan arrangement) in the 16th and 17th centuries when Buddhism was firmly re-introduced. As huree-monasteries and huree-camps of nobles settled and grew up into towns and cities, the names of such settlements retained the word Huree as a necessary component (e.g. Niislel Huree, Zasagtu Khaan-u Huree).
Inside a yurt
Two yurts in the Mongolian steppe
Originally, the roof had a steeper slope and the a rim around the center opening, to allow the smoke of the open fire to exit more easily. The introduction of enclosed stoves with chimneys (zuuh) in the 18th and 19th centuries, made it possible to simplify the design and use a lower silhouette. Another relatively recent development is the use of an additional layer of canvas for rain protection. A white cotton cover, originally only used on the yurts of nobles, has become commonplace.
The internal organisation and furnishing mirrors the traditional roles of the family members as well as spiritual concepts, giving special significance to each of the cardinal directions, with the door always facing south. Herders use the position of the sun in the crown of the yurt as a sundial. The northeastern quarter of the yurt is reserved for the woman. The man was traditionally prohibited entering this quarter and touching the woman when she is in this quarter in case of a family conflict, while she was allowed to throw hard objects such as scissors at the husband from this position. Yurts have been used in Central Asia for thousands of years. In Mongolia, they have also influenced other architectural forms, particularly temples.
In the 21st century, between 30 and 40% of the population are still living in yurts, many of them in the suburbs of cities. The Mongolian word "ger" has additional connotations of "home". The stylistically elevated register for ger is rg, most commonly translated as "residence", and at times also the name of the mobile national capital.
Tents
Tents also played a role in the formation and development of the unique Mongolian architecture. Although they are temporary shelters, they were used more frequently in the conditions of pastoralism. Tents were also used during Naadam festivals, feasts and other sorts of gatherings.
Jodgor is a small tent to accommodate one or two persons.
Maihan is a large tent for a group of people.
Tsatsar is a fabric shade on vertical supports without vertical walls.
Tsachir is a large rectangular tent with vertical fabric walls.
Asar is a generic name for tsatsar and tsachir.
Giovanni da Pian del Carpine ("History of the Mongols") reported, during the ceremony of enthronement of Guyuk Khaan in 1246, a colossal marquee-tsachir, capable of hosting 2000 people, was erected at the river Tamir. The marquee was supported by pillars decorated in gold leaves, and the internal side of the walls were covered with canopy.
Later, the designs of many temples were based on tsachir.
This section requires expansion.
Imperial Period
Silver Tree fountain in front of Tumen Amugulang Palace. 18th-century European imagination
Tortoise at Karakorum
The remains of Karakorum, capital of the Mongol Empire, were first rediscovered and studied by the expedition of S. V Kiselev. Karakorum was founded in the basin of the river Orkhon by Chinggis Khaan in 1220 as a major military centre. However, in 15 years it became an administrative and cultural centre of the empire.
In the centre of the city was situated the palace of the Great Khaan--the Tumen Amugulang palace. Based on the records of William of Rubruck, most scholars maintain that in front of the palace was the Silver Tree fountain. However, there is a group of researchers who conclude that the famous fountain was inside the palace. According to Rubruck, there were 4 silver sculptures of lions at the foot of the Silver Tree, and fermented mare's milk--airag, favourite drink of the Mongols, would run from their mouths. Four golden serpents twined round the tree. Wine would run out from the mouth of one serpent, airag--from the mouth of the second serpent, mead from the third, and rice beer from the fourth. The top of the tree was crowned by an angel blowing a bugle. The branches, leaves and fruits of the tree were all made of silver. The fountain was designed by a captive sculptor William of Paris. The Khaan himself would sit on the throne in the north of the yard in front of the palace. Men would sit in a row at the right hand of the Khaan and women would sit to the left.
Excavations partly proved and partly supplemented these descriptions. The buildings were heated by smoke pipes installed under the floors. The Khaan's palace was erected on an artificial platform occupying an area of 2475 sq. metres.
Ogedei Khaan ordered that each of his brothers, sons and other princes build a magnificent palace in Karakorum. The city hosted Buddhist temples, Christian churches and Muslim mosques. There were sculptures of tortoises at each gate on the four sides of the city wall. Steles on the backs of the tortoises were crowned with beacons for travellers in the steppe. The overall construction in Karakorun was supervised by Otchigin, the youngest brother of Genghis Khan.
There were many other cities and palaces throughout Mongolia in the 13th and 14th centuries. Best studied are the ruins of Palace Aurug near Kerulen and Hirhira and Kondui cities in the Trans-Baikal region. The latter two demonstrate that cities grew out not only around the Khaan's palaces but also around residences of the other members of nobility. City Hirhira sprang out around the residence of Juchi-Khasar. The Mongolian aristocrats were dissatisfied with temporary residences and started building luxurious palaces. The palace in Hirhira city was located within a citadel. The palace in Kondui city was built on a platform, surrounded by double-tiered terraces, pavilions and water pools. The archeological excavations revealed traces of conflagrations and the times of the fall of these cities are approximately the same as of Karakorum--late 14th century when the Chinese army repeatedly raided the country and looted the cities though the aggressor was expelled each time. Karakorum was destroyed in 1380 and could never restore its previous magnificence. The long destructive wars waged by China continued from 1372 to 1422 ruining the cultural progress of Mongolia achieved during the imperial period. Mongolia fell back into dark Middle Ages till the second half of the 16th century, when her culture experienced Renaissance.
Renaissance
Ihe Zuu Temple at Erdene Zuu monastery
Erdene Zuu walls
Stupa at Erdene Zuu monastery
After the two centuries of cultural decline, Mongolia experienced Renaissance beginning in the second half of the 16th century. This was a period of relative peace free of foreign aggressions and introduction of Buddhism in the form of Gelugpa (3rd introduction of Buddhism). Altan Khan of Tumet founded city Hohhot in 1575 as a political and cultural centre of his holdings. Among the first Buddhist monasteries of Mongolia of this period was temple Thegchen Chonchor Ling in Khkh Nuur built by Altan Khan to memorise his 1577 meeting with Dalai Lama Sonam Gyatso. . Many temples were built in Hohhot during the period including Dazhao and Xilituzhao Temples.
In Khalkha, Abatai Khan founded the Erdene Zuu monastery in 1585 near the site of the ancient city Karakorum . Although these first temples featured the Chinese architectural styles, the further development enriched the architecture of Mongolia with Tibetan, Indian and unique Mongolian styles.
The Mongolian style began with mobile temples. As they settled, they evolved into multi-angular and quadratic structures. As the roof was directly supported by the pillars and walls, it served also as the ceiling.
G. Zanabazar, the first Bogdo Gegeen of Khalha, designed the architecture of many temples and monasteries in the traditional Mongolian style and supervised their construction. He succeeded merging the Oriental architecture with the designs of the Mongolian yurts and marquees. Especially the style of the Batu-Tsagaan Tsogchin temple of Urga designed by G. Zanabazar became a proto-type for the further development of the Mongolian style in architecture. It is a large marquee-shaped structure in which the four central columns support the main area of the roof. There are 12 columns in the middle row and the columns in the outer row are slightly higher. The total number of the columns is 108. This temple was designed to be expanded as necessary. Thus it was originally 42x42 metres and was later expanded to dimensions of 51x51 metres.
The Indian style was most prominent in the design of stupas. Among the most famous stupas are Ikh Tamir, Altan Suburgan of Erdene Zuu, Jiran Khashir of Gandang and the mausoleums of Abatai Khan and Tsheetu Khan Gombodorji.
Monasteries Khgn Tarni (1600), Zaya-iin Khree (1616), Baruun Khree (1647) and Zaya-iin Khiid (1654) were built during this period.
Post-Renaissance
Temple at Amarbayasgalant monastery
Avalokiteshvara Temple
Quadratic temple in the style of G. Zanabazar
Building of magnificent temples in the traditions of the Renaissance period continued in the 18th, 19th and early 20th centuries. Ishbaljir (1709-1788) described the proportions of construction of buildings together with the proportions of human body in "Exquisite Flower Beads". Agvaanhaidav (1779-1838) described the process of building a Maitreya temple in "Maitreya Chapters Treasurous Mirror". Agvaanceren (1785-1849) wrote a book "The rules of building and repairing temples" teaching how to construct buildings and a book "Aahar shaahar" about maintenance and repairs of buildings. Also translations of Kangyur were widely used by the Mongolian architects.
Monasteries Zn Huree (1711), Amarbayasgalant monastery (1727), Manjusri Hiid (1733) and others were built during this period. The mobile monastery Ihe Huree founded for Zanabazar settled at the present location of city Ulaanbaatar in 1779. The wall around Erdene Yuu monastery began to be built in 1734. It contains 108 stupas. The Temple of Boddhisattva Avalokiteshvara was built in 1911-1913 as symbol of the new independent Bogdo Khanate of Mongolia. The colossal statue of the Boddhisattva Avalokiteshvara Migjed Janraisig, that who opens the eyes of wisdom of sentient beings, symbolised enlightenment of the Mongolian people who had opened a new page in their history and stepped into the modern civilisation. In the beginning of the 20th century, there were around 800 monasteries throughout the country.
Winter Palace of Bogdo-Khaan built in the traditional Russian style. It had a gold ganjir on the top.
An interesting tendency in the beginning of the 20th century was an experiment of combining the traditional Asian architecture with the features of the Russian architectural style. Bogdo Khan had his winter palace built as a Russian "horomy". A legend holds that the Manchurian Khan was suspicious of the interest of Bogdo Gegeen VIII in the European culture. To calm down his suspicion, Bogdo Gegeen had a ganjir added to the top of the building. Another example of the combination of the Asian and Russian styles of architecture is the residence of Khanddorji Wang, a leader of the independence movement of 1911. The body of the building is designed as a Russian house while the top was designed in the 'baroque' Asian style. One of the first European buildings in Mongolia is the 2-storey building of Zanabazar Museum of Fine Arts. It was originally built as a trade centre in 1905.
Revolutionary architecture
Constructivism. Military Club. Today the building is occupied by the University of Cinema Art
Despite the obvious progress, the Revolution also brought destruction of the traditional culture with demolition of over 800 monasteries and purge of thousands of lamas--carriers of the traditional intellectual culture including masters of traditional architecture. The development of the national culture of the Mongolians had to re-start from zero.
Constructivism and Rationalism in architecture that flourished in the USSR also shot their roots in Mongolia, though in their most modest forms. The building of the Radio and Postal Communications Committee was the brightest example of constructivism with a pyramid-topped tower stressing its role in the town-building. This construction, unique in Mongolia, however was later disassembled. The other works constructed under the principles of constructivism and rationalism were the office of the Mongoltrans company, Ministry of Internal Affairs, and the Military Club built in the space, forms and composition order.
Classicism and "mass-production"
Classicism and Mongolian tradition. Drama Theatre. Architect B. Chimed.
Classicism. Ministry of Foreign Affairs
The ensemble of Ulaanbaatar's downtown was designed by Soviet architects, developing the traditions of Classicism under the conditions of Socialism (Stalinist architecture). The buildings of the Ministry of Foreign Affairs, the State University, the House of the Government, the Opera House, the State Library and many other public buildings that were constructed during this period demonstrate the magnificence and elegance of European Classicism.
The Mongolian architects worked to creatively combine this neo-Classicism with the traditional features of Mongolian architecture. The development of Ulaanbaatar's downtown continued at the initiative of B. Chimed who is the architect of the Drama Theater, the Natural History Museum and the Ulaanbaatar Hotel. The overall design of the Drama Theatre implemented in neo-Classicism employs the quadratic plane and double-tier marquee roof of the Mongolian architecture. These works evidence his creative search for developing the indigenous traditions in the contemporary architecture. This direction was followed by other architects, e.g. in the Urt Tsagaan (Tourists Walk) and House of Health Education (today used by the Ministry of Health) by B. Dambiinyam and the Astronomical Observatory, State University Building #2, and Meteorology Building by A. Hishigt, which cannot be mistaken for European buildings.
Peace Bridge in Ulaanbaatar
The tower of the National Palace of Culture
From the 1960s the design of architecture was dictated by requirements of economy and mass-production under the influence of the N. Khruschev and Leonid Brezhnev eras in the USSR. At the same time the early 1960s were characterised by increased Soviet and Chinese investment due to their competition for greater influence in Mongolia. Such a competition resulted in an accelerated development of the country. Thus both the older districts south of the river Dundgol and the Peace bridge were built by Chinese workers.
The architecture of the 1960s and 1970's presents the monotony of 4-, 5-, and 9-storey apartment blocks with simple rectangular shapes dictated by the need of cheap and speedy construction. The looks of cities became increasingly boring and dull. The hostility between the USSR and PRC forced Mongolia to side with only one of the two and Mongolia allied with the USSR. This external political situation led to an immensely increased influx of Soviet investment. Apartment districts were intensively built in all directions around Ulaanbaatar, including the area to the south of the Dundgol river, often by Soviet soldiers. Completely new cities were founded in Darkhan, Erdenet.
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